Building a Brand Story Through Photography: The Good Ship Illustration
Helen, Katie and Tania From Good Ship Illustration at Coldingham Sands.
Creative businesses are built on personality.
The work might begin with a sketchbook, a studio desk, or a laptop, but what people really connect with is the person behind the work - the voice, the values, the atmosphere.
That’s where brand photography for creative businesses becomes powerful.
Done well, it’s not just a set of images for a website. It becomes visual storytelling: photographs that show how you work, where you work, and what it feels like to be part of your world.
One of my favourite examples of this is the ongoing photography we’ve created with The Good Ship Illustration - a creative business run by illustrators Tania Willis, Katie Chappell, and Helen Stephens.
Together they teach illustrators and artists how to build thriving creative careers through courses, mentorship, their podcast, and the much-loved Friday Art Club on Instagram Live.
Their brand is joyful, thoughtful, slightly rebellious, funny, wholesome and deeply human.
And the photography needed to reflect exactly that.
Good Ship Illustrations Voyage on the Border Belle.
Visual Storytelling for Creative Businesses
When creative businesses invest in photography, the goal isn’t simply to look professional.
It’s to show people what it feels like to work with you.
For The Good Ship Illustration, that meant capturing:
the friendship between the three founders
the creative chaos of sketchbooks and studio tables
their sense of humour and warmth
the places that inspire their work
Helen and Katie from Good Ship Illustrations at Holy Island for their Branding Shoot.
Over several shoots we’ve photographed them:
gathered around a kitchen table with mugs of tea and piles of sketchbooks
recording their podcast and course lessons
laughing together between takes
walking along windy beaches with sketchbooks tucked under their arms
These moments tell a story far more effectively than posed portraits ever could.
For creative businesses in particular, imagery like this becomes the foundation for everything - websites, course launches, podcast promotion, newsletters, and social media.
From Studio to Seaside: Photographing The Good Ship World
One of the things that makes The Good Ship Illustration so distinctive is the sense of place woven through their brand.
Many of our shoots have taken place around the Northumberland and Scottish Borders coastline - especially St Abbs Harbour, Coldingham Sands, and Berwick-upon-Tweed.
The seaside locations fit their nautical theme beautifully.
Sometimes it’s been calm and sunny.
Other days we’ve been battling wind, rain, and flying hair.
But that unpredictability often becomes part of the magic.
We’ve photographed them:
eating chips wrapped in paper at Coldingham Sands
walking along harbour walls at St Abbs
waving handmade nautical flags on a boat on the River Tweed
sheltering under umbrellas and laughing through the rain
Those moments create images that feel natural - exactly how their audience experiences them online.
And over time, these photographs have built a recognisable visual world that supports everything they do.
Tea, Chips and Creative Adventures by the Sea.
The Power of a Consistent Brand Colour Palette
One of the most thoughtful elements of The Good Ship’s visual identity is their brand colour palette.
Their colours - sea greens, warm pinks, soft blues and nautical tones - appear everywhere.
You see them in:
the clothes they wear
the handmade flags Helen creates
the sketchbooks and props around their studios
the seaside backdrops we choose
It’s a subtle detail, but it brings the entire brand together.
When photography aligns with a brand’s colours, the images slide seamlessly into a website design, course materials, and social media graphics without looking disconnected.
For creative businesses, this kind of visual consistency makes your brand feel intentional and recognisable.
It also makes content creation far easier. Instead of scrambling for images that “sort of work,” you already have a library of photographs that naturally fit your visual identity.
Sketchbooks, Tea and Big Ideas - Tania, Katie and Helen from Good Ship Illustrations.
Why Creative Businesses Need a Photographer Who Gets Their World
Creative businesses are different.
Studios are often messy in the best possible way. Ideas appear halfway through conversations. Props might include paint water, sketchbooks, fabric scraps, or hand-painted flags.
A photographer working with creative entrepreneurs needs to be comfortable inside that world.
It’s not about controlling every detail. It’s about noticing the small moments that reveal personality.
During shoots with The Good Ship, that might mean photographing:
Katie having a laugh and recording BTS between locations
Helen adjusting one of her handmade flags
Tania admiring the vibrant colour pallete of lobster pot rope
These are the moments that make images feel alive.
For creative businesses, the right photographer becomes less like an outsider documenting a shoot and more like someone helping shape the visual language of the brand.
Katie Chappell in between Helen Stephens and Tania Willis.
Why Authentic Brand Photography Matters in the Age of AI
Creative industries are currently having important conversations about AI-generated imagery.
Illustrators, artists, and designers are particularly aware of how quickly artificial images can appear online.
While AI tools have their place, they cannot replace something fundamental:
real people creating real work.
When audiences visit a website, they want to see the human beings behind the business.
They want to see:
the hands that draw the illustrations
the messy studio desks
the laughter between collaborators
the environment where ideas are made
These details build trust.
AI-generated imagery might look polished, but it cannot capture the authenticity of a real creative practice. For communities like the one around The Good Ship Illustration - where honesty, creativity, and human connection are central - authenticity matters deeply.
Real photography shows that there are actual people behind the work.
And in an increasingly synthetic online world, that matters more than ever.
Helen Stephens in between Tania Willis and Katie Chappell.
The Good Ship Illustration: A Brand Photography Story
Over the years, photographing Tania, Katie, and Helen has become less about individual shoots and more about building a visual archive of their journey.
The images now appear across:
course materials
podcast promotion
newsletters
They support everything the business does.
But more importantly, they show the heart of the brand - three illustrators who built a creative community around friendship, generosity, and learning.
If you’d like to explore their work, you can visit:
Tania Willis – illustrator and educator
Katie Chappell – illustrator and creative mentor
Helen Stephens – author and illustrator
Good Ship team on the Lookout for the Next Brilliant Idea at St Abbs.
Building a Creative Community Beyond the Photos
One of the things that makes The Good Ship Illustration so special is that their brand doesn’t stop at their website or their courses.
It flows through their social media, podcast, and the way they show up consistently for their audience.
Their photography plays a quiet but important role in all of this.
You’ll often see the same visual threads running through everything they do - the colours, the humour, the friendship, the slightly windswept seaside energy. It all feels connected.
you can find them on Instagram @thegoodshipillustration
The Friday Art Club
Their Friday Art Club on Instagram Live has become a real cornerstone of their community.
It’s relaxed, welcoming, and genuinely helpful - a space where illustrators can show up as they are, ask questions, and feel part of something.
From a photography point of view, this is where those brand images really come into their own.
When people visit their profile, they’re not just seeing a live video - they’re seeing a consistent visual story that reflects the same warmth and personality they experience in real time.
The Podcast
Their podcast carries that same feeling.
It’s thoughtful, honest, and often very reassuring for creatives navigating the ups and downs of building a business.
The imagery used to support it - whether that’s website banners, episode promotions, or social posts - helps anchor the podcast visually.
The Good Ship Illustrations Website.
Thinking About Your Own Brand Photography?
If you run a small business or creative practice, your brand photography should reflect your personality, your environment, and the way you actually work.
It doesn’t need to feel overly polished or staged.
Often the most powerful photographs are the simplest ones - you in your studio, collaborating with others, or working in the places that inspire you.
Those images become the visual story of your business.
And over time, that story builds familiarity and trust with the people who want to work with you.
If you’re thinking about creating brand photography for your creative business, I’d love to help you plan something that feels natural, thoughtful, and genuinely you.
If you’re ready for brand photos that feel like you, we’d love to help. Click here to book a call with Sarah - we’ll guide you through every step.
Photography Copyright UK Explained: Who Owns Your Photos and How Image Licences Work.
Interview setup at The Maltings for Berwick Literary Festival
If you’ve ever commissioned professional photography for your business or event, you may have wondered something surprisingly common:
Who actually owns the photos?
It’s a question that comes up regularly with brand photography clients here in Northumberland and Berwick-upon-Tweed. You’ve invested in the shoot, the planning, and the final images - so naturally, it can feel like the photos should belong to you completely.
But under UK copyright law, things work a little differently.
Understanding photography copyright in the UK doesn’t have to be complicated. Once you understand the basics - particularly what an image licence means - it becomes much clearer how you can use your photos confidently across your website, marketing, and social media.
Photography Copyright UK: Who Owns the Photos?
Under UK copyright law, the photographer automatically owns the copyright to the images they create. This happens the moment the photograph is taken — no paperwork required.
A simple way to think about it is like buying a book. When you purchase a book, you own the physical copy, but you don’t own the copyright to the story. The author still controls how it can be reproduced or distributed.
Photography works in much the same way.
When you hire a photographer:
You receive the images themselves
But the copyright remains with the photographer
This is standard practice across the creative industries and is written into UK copyright law.
Rather than transferring copyright entirely, photographers provide something called a licence.
Berwick Literary Festival event photography used under commercial photography copyright UK
Photography Copyright UK: What an Image Licence Means
An image licence simply sets out how you’re allowed to use your photos.
For business clients, this usually covers things like:
Website use
Social media
Press features
Marketing materials
Print advertising
Brochures or packaging
The licence gives you legal permission to use the images for your business, while the photographer retains copyright as the creator.
Photography Copyright UK: What You Can Do With Your Images
With a typical commercial photography licence, businesses can comfortably use their images in most marketing contexts.
For example, you can usually:
Add photos to your website
Share them on social media
Include them in press coverage
Use them in brochures, advertising, or marketing materials
Print them for office displays or promotional materials
In practice, this means your portfolio of images becomes a core visual asset for your brand.
If you’ve invested in professional photography for your website,headshots, or product photography, the licence allows you to use those images wherever your business needs them.
Images photographed for Berwick Literary Festival and used across marketing, press, and editorial with clear licensing agreements in place.
Photography Copyright UK: What You Can’t Do Without Permission
While licences are usually very flexible, there are a few things that typically require additional permission.
These include:
Selling the images to third parties, for example:
Stock photography libraries
Media outlets not connected to your business
Other companies wanting to advertise with the image
Allowing another business to use your images
If another company wants to use one of your photos for their own marketing, they would need permission from the copyright holder.
Editing or significantly altering the images
This is a common question. Small practical adjustments may be fine, but heavier edits — such as strong filters or changes that alter the look of the original photograph — should always be discussed first.
Professional photography is a creative work, and maintaining the integrity of that work helps protect both the photographer’s reputation and the quality of your brand imagery.
Photography Copyright UK: Why Copyright Protects Both Photographer and Client
Copyright isn’t about restricting how you use your photos.
In reality, it protects both sides of the creative process.
For photographers, copyright ensures their work isn’t reused or sold without permission.
For clients, licences provide something equally important: clarity.
You know exactly:
what you can use the images for
where they can appear
how long you can use them for
For businesses investing in professional brand photography, that clarity and security are incredibly valuable.
Real-World Example: How Image Licensing Works in Practice
Festival bunting during Berwick Literary Festival events
Working with events like Berwick Literary Festival each year is a good example of how image licensing works in practice.
Across the festival, I’ve photographed a range of speakers and events, including conversations with Michael Palin, Kirsty Wark, and Damian Barr, as well as previous work with the Poet Laureate and Len Pennie.
Michael Palin in conversation at The Maltings
Kirsty Wark book signing at Berwick Literary Festival
Damian Barr discussing his work at Berwick Literary Festival
Each of these situations involves slightly different considerations when it comes to image use.
For example:
Images may be used for festival marketing and promotion
Shared with press and media outlets
Included in editorial coverage or future campaigns
Because of this, clear licensing and contracts are essential. They ensure everyone understands how the images can be used, where they can appear, and who has permission to share them.
From the client’s perspective, this means they can confidently use the images across multiple platforms without uncertainty. From a photographer’s perspective, it ensures the work is used appropriately and professionally.
It’s a good example of how photography copyright in the UK works in real-world situations — not as a restriction, but as a way of creating clarity for everyone involved.
Len Pennie poetry reading photographed for festival marketing under photography copyright UK
Maltings
Photography Copyright UK: FAQs
Can I print my photos myself?
Yes.
Your licence allows you to print images for your business, whether that’s marketing materials, framed prints, or promotional displays.
Can my designer use the photos in a brochure or website?
Yes.
If a designer is working on behalf of your business, they can use the images within your licence for brand materials such as websites, brochures, or advertising.
Can the photographer sell my images to someone else?
No.
Professional photographers will not license your commissioned images to another business without permission. Your images remain connected to your brand and project.
Do I need to credit the photographer?
Credit is required as part of the licence. Where images are reproduced in print or online, credit should be given to Pictorial Photography, ideally with a hyperlink back to the website.
This helps support creative work and ensures images are used professionally.
Can I edit the photos myself?
Generally, it’s best to discuss edits first.
This helps ensure any changes still reflect the intended look and quality of the original photography. Most photographers are happy to help with adjustments when needed.
A Final Thought on Photography Copyright UK
Understanding photography copyright in the UK doesn’t need to feel complicated.
In reality, photography copyright in the UK is simply about making sure that:
photographers retain ownership of their creative work
clients receive clear, flexible rights to use their images
And that makes professional photography a much stronger long-term investment.
Have Questions About Image Licensing?
If you’re planning brand photography or want to understand how image licensing works for your business, feel free to get in touch.
Questions about copyright and image usage are always welcome - and it’s always better to clarify things before a shoot.
Why Everyone Is Talking About Mandy Bryson’s Menagerie of Idioms.
Artist Mandy Bryson with her work at Bamburgh Castle.
Who is Mandy Bryson?
Before visiting the exhibition at Bamburgh Castle, I already knew a little about Mandy Bryson’s work and the kind of sculptures she creates. She’s a Berwick sculptor and prop maker known for creating incredibly detailed faux-taxidermy animals, often used to tell humorous or slightly surreal stories.
What stood out to me straight away when seeing the sculptures in person was the level of craftsmanship. Even though the animals are part of playful scenes based on idioms, the anatomy and form feel very believable.
Mandy studied at Edinburgh College of Art, where she was awarded the Andrew Grant Scholarship and stayed on to continue studying at postgraduate level. That strong foundation in sculpting is really noticeable in her work. There’s a clear understanding of how both animals and people move, which helps the sculptures feel full of character rather than just decorative objects.
Alongside her sculpture work, Mandy has also worked as a florist in the events industry and as a prop maker. After seeing the exhibition, it’s easy to understand how those experiences have influenced her installations. Many of the scenes feel quite theatrical, almost like you’ve walked into a moment from a story.
Something Mandy often talks about is embracing her inner child and drawing inspiration from the toys and books she loved growing up. That sense of imagination definitely comes through in the exhibition.
This blog focuses on Mandy Bryson’s latest exhibition, Menagerie of Idioms, currently on display at Bamburgh Castle. If you’d like to see more of Mandy’s work beyond this exhibition, you can explore her previous projects on her website here.
Tom, Dick and Harry are Performing a Balancing Act, work of Mandy Bryson.
Inspiration Behind the Menagerie
While speaking with Mandy during the shoot, she mentioned that part of the inspiration for Menagerie of Idioms came from something quite unusual - the Cement Menagerie in Branxton.
The Cement Menagerie was a back garden filled with life-sized concrete animals created by retired joiner John Fairnington for his disabled son Edwin. Over time the garden became packed with weathered sculptures, creating a slightly surreal collection of animals in the middle of a small Northumberland village.
Although the sculptures are no longer there, the story clearly stayed with Mandy.
Knowing this makes the exhibition feel even more interesting, because there’s a similar sense of curiosity running through it — a collection of animals gathered together in unexpected ways, each one with its own personality.
Walking through the castle, it almost feels like discovering a strange and playful menagerie hidden inside the historic rooms.
Sculpture at Mandy Bryson’s Exhibition inside Bamburgh Castle.
The Exhibition at Bamburgh Castle
The exhibition is currently displayed at Bamburgh Castle on the North East coast of Northumberland and runs from 14th February 2026 until November 2026.
You can find more information about the Tails & Tales – Indoor Sculpture Trail on the Bamburgh Castle website.
Entry to the exhibition is included with general admission to the castle. Which can be found at https://www.bamburghcastle.com/castle/
The setting of Bamburgh Castle adds a completely different layer to the exhibition. As you walk through the castle’s historic rooms, the sculptures appear along the way, almost like you are following a trail through the building.
The large rooms work really well with the scale of the sculptures, allowing each installation to have its own space. At the same time, the contrast between the historic castle setting and the colourful, playful characters makes the experience feel even more memorable.
Moving from room to room almost feels like stepping into different chapters of a story.
Gwendoline has her Head in the C…..
Shooting the Exhibition
I really enjoyed photographing and filming behind the scenes of this exhibition with Sarah and Mandy, as it was such a unique and interesting shoot to be part of. The scale of the sculptures has an instant wow factor when you see them in person, and it was something we had to keep in mind while shooting to make sure that sense of size really came across in the images. Being able to look closely at the sculptures while photographing them also made me appreciate the level of detail that has gone into each piece. Capturing those textures and expressions through the camera was really satisfying. There were also two moving sculptures in the exhibition, which were particularly interesting to film. We used an Osmo to capture some behind-the-scenes clips for social media, as well as filming some slow-motion shots on the DSLR which helped show a bit more of the atmosphere and movement within the exhibition.
The Atmosphere of the Exhibition
Walking into the exhibition, the first thing that really struck me was the scale of the sculptures. They were much bigger than I had expected, and immediately filled the space.
The level of detail gives each piece a real sense of presence. As you move through the rooms, every sculpture feels like its own little scene, full of personality and humour.
Some of the idioms are easy to recognise straight away, while others take a bit more thinking. This makes the exhibition quite interactive, because you naturally start trying to work out what each scene represents.
Music playing in the background adds another layer to the experience. It helps create an immersive atmosphere and makes the installations feel more alive as you walk through the castle.
Mandy Bryson’s Faux-Taxidermy work displayed at Bamburgh Castles Billiard room.
What is an Idiom?
An idiom is a phrase where the meaning isn’t taken literally from the words themselves. Instead, it has a figurative meaning that people understand through common use in language.
Idioms are part of everyday conversation and often create funny or imaginative images in your mind.
In Menagerie of Idioms, these phrases are transformed into physical scenes through sculpture and theatrical installation. Instead of simply reading the phrase, visitors get to see it brought to life.
Each sculpture represents a well-known saying, and as you walk through the exhibition you can try to guess the idiom behind each one.
Mandy Bryson’s Moving Sculpture at Bamburgh Castle.
Why Animals Work So Well With Idioms
Animals appear in many idioms because they have long been used to describe human behaviour.
For example:
Bees are often linked with hard work
Foxes suggest cleverness
Pigs are sometimes used to represent messiness or impossibility
Tigers suggest strength or danger
Because these associations already exist in our minds, animals make idioms easier to visualise.
Turning them into sculptures makes the phrases feel even clearer and often quite funny. In this exhibition the animals feel full of personality, which helps people connect the scene with the phrase it represents.
‘Slow and Steady’ Wins The Race… Sculpture by Mandy Bryson.
The Craft Behind the Sculptures
Looking closely at the sculptures, the amount of detail in each piece really stands out.
Mandy told us that each sculpture can take anywhere from two weeks to two months to complete depending on its complexity.
The fur on the animals is created by shredding and layering fabric, which gives them a surprisingly realistic texture. Seeing this up close really shows how much time and patience goes into each piece.
Small details in the faces and expressions give every character its own personality. Many of the installations also include recycled or vintage objects, which adds charm and helps build the storytelling within each scene.
It’s only when you stand close to the work that you realise just how much craftsmanship has gone into creating each sculpture.
Hector the Hare by Mandy Bryson.
A Personal Favourite
One sculpture that really stood out to me was Gwendoline – Head in the Clouds.
The piece immediately caught my attention because of its scale. The giraffe stands tall in a room overlooking the North Sea, which makes the whole scene feel even more striking.
Gwendoline is dressed in a beautifully made gown created specifically for the sculpture. The level of detail in both the giraffe and the costume is impressive.
There is also something quite amusing about seeing such a tall, elegant giraffe standing proudly in a gown. The humour of the scene makes it even more memorable.
This idiom was one I recognised almost immediately, which made it particularly satisfying to spot.
Idioms in the Exhibition
Some of the sculptures featured in the exhibition include:
Pearl- Snails Pace
Bosley- Opened A Can Of Worms
Maxi- On The Ball
Victoria and Albert-Night Owl
Jason- Bull In A China Shop
Fagan- A Bird In The Hand Is Worth Two In The Bushes
Mandy- Wears Her Heart On Her Sleeve
Tallulah- Slow and Steady Wins The Race
Yorick- No Fool Like an Old Fool
Bobby Dazzler-Jumping Through Hoops
George and Gigi - On His High Horse/ Off her Rocker
Tom,Dick and Harry - Balancing act
Cyril- Proud as a Peacock
Angus- Black Sheep of the Family
Gwendoline- Head In The Clouds
Ethel- Leap Of Faith
Horatio and Pablo- Fish Out of Water
Hector- Dilly Dally
Jane Doe and Robina- Early Bird
Cedric-Many Hands Make Light Work
Can you match up the idioms?
Keep your eyes peeled for Horatio, the fish out of water, who makes a few secret appearances in photos hidden around the castle….
Horatio is Hidden in Plain Sight, Hidden photos Amongst the Exhibition.
Who Would Enjoy This Exhibition?
The exhibition works well for a wide range of visitors.
Children will likely enjoy the playful animals and the challenge of guessing the idioms as they move through the castle.
Creative visitors, particularly those interested in sculpture, prop making, or visual storytelling, will probably appreciate the level of detail and craftsmanship in each piece.
For people already visiting Bamburgh Castle, the exhibition adds something a little different to the experience. It turns the castle into something more interactive, encouraging visitors to explore each room and discover the characters waiting inside.
Overall, it’s an exhibition that combines art, humour, and storytelling, making it enjoyable for families, creatives, and anyone curious about seeing language brought to life through sculpture.
What’s the Difference Between Brand and Studio Photography?
If you’ve ever wondered whether you need brand photography or studio photography, you’re not alone. It’s a question I get asked a lot.
Both can look professional. Both can sit happily on a website or social media. But they do very different jobs — and choosing the right approach can change how your business is perceived.
Using International Tartans as an example, this blog looks at how studio photography and brand photography work separately, and why combining the two often gives businesses the most flexible and useful image library.
For iTartans, the brief covered several settings: clean studio product shots, portraits in real working environments, and wider location photography. Each had its place. Together, they told a much fuller story — not just what the business makes, but who is behind it and how it works day to day.
International Tartans in our Studio for Product Photography
Starting in the Studio: Clarity, Control and Consistency
Studio photography is often the most practical place to begin, particularly when products or fine details need to be shown clearly.
For iTartans, studio sessions were used to photograph products with accuracy and consistency. Working in a controlled environment meant lighting could be kept even, colours true, and backgrounds clean. This allowed the focus to stay firmly on the craftsmanship itself, without visual distraction.
Studio photography is especially valuable when images need to be reused across different platforms or formats. These images tend to age well, slot neatly into websites and print, and provide a reliable visual foundation that can be returned to as new products are introduced.
That consistency is powerful — but on its own, it doesn’t always show how an organisation feels.
Shoot with International Tartans at our Studio in Berwick-Upon-Tweed.
Brand Photography on Location: Showing the Work in Context
Brand photography shifts the focus from control to context.
For International Tartans, this meant photographing their workshop in Eyemouth, capturing the environment where the work actually happens. These sessions weren’t about perfect backdrops or polished poses. They were about people, process, and the everyday rhythm of making in a workshop setting.
Photographing in real working spaces adds depth. It shows how tools are used, how materials move through hands, and how the organisation operates day to day. This kind of imagery helps audiences connect more easily, because it answers questions they may not even realise they’re asking — what it’s like to work with you, how your work comes together, and what sits behind the finished product.
For community-led and craft-based organisations, that sense of authenticity matters deeply.
A Case Study Film That Goes Beyond the Images
Alongside the photography at Eyemouth, I also created a short case study film for International Tartans — one that follows Kayleigh’s journey into the organisation.
Without giving too much away, the film focuses on what happens when the right opportunity meets the right support. Kayleigh’s story begins at ReTweed, a social enterprise in Eyemouth that supports women to build skills and confidence through sewing and making. From there, with funding in place, she moved into employment at International Tartans.
The film doesn’t spell everything out. Instead, it lets Kayleigh speak for herself — about learning new skills, finding stability, and how work that fits around family life can quietly change everything. It’s a reminder that behind every product, every workshop, every tartan, there are real people and real lives being shaped.
This kind of film is incredibly powerful for organisations like International Tartans. It’s been shared with funders and decision-makers, including at the Scottish Parliament, to show the human impact of the work — something that words and statistics alone can’t always do.
For me, it’s a good example of how photography and film can work together: still images to show the craft and environment, and film to carry the deeper story.
Location Photoshoot at Marchmont House for International Tartans.
When Location Becomes Part of the Story
Beyond the studio and workshop, iTartans’ photography also included two on-location sessions at Marchmont House — one in the main house and one in the Glasshouses.
Here, the emphasis shifted again. These sessions weren’t focused purely on products or process, but on atmosphere and narrative. The setting added scale, heritage, and a sense of place that supported the wider story iTartans wanted to tell.
What mattered just as much was who appeared in the images. Rather than using external models, the makers and students themselves stepped into the frame. For many, this was their first experience being photographed in this way — and it became something more than a shoot. It was a confidence boost, a genuinely enjoyable day out, and a chance to see themselves as part of something bigger.
Using real people in meaningful locations adds depth that can’t be staged. Historic buildings, landscapes, and community spaces quietly reinforce values and purpose — while involving the people behind the work builds connection, pride, and a stronger sense of team..
International Tartans Branding shoot at Marchmont House
Brand Photography vs Studio Photography: What’s the Real Difference?
At first glance, brand photography and studio photography can look quite similar — especially when they’re showing the same products. Both can be used on websites and social media, and both can look professional. But they do very different jobs.
Studio photography is about clarity and consistency. It’s created in a controlled environment, where lighting, background and framing stay the same from image to image. That makes it ideal for products and portraits where accuracy really matters. Studio images tend to feel clean, calm and dependable, which is why they work so well for e-commerce, printed materials and anything that needs to sit neatly within an existing brand.
Brand photography, on the other hand, is about context and connection. It’s photographed in real spaces and shows people, process and place alongside the subject itself. Instead of isolating something from its surroundings, brand photography includes them on purpose. The result feels more human and more informative — it shows not just what you do, but how you do it, the scale of what you make, and what it might feel like to work with you.
Where studio photography creates a solid foundation, brand photography builds on it with story and atmosphere. One provides structure; the other adds depth.
For many organisations, including International Tartans, the most effective approach isn’t choosing one over the other. It’s understanding what each is for — and using them together so your images work harder across different platforms, audiences and moments in time.
International Tartans Queen of Scots Tartan in our Studio in Berwick-Upon-Tweed
Brand Photography vs Studio Portrait Photography: A Simple Comparison
Studio Photography
Controlled lighting
Neutral plain or on brand backgrounds
Ideal for products and portraits
Clean, consistent, and repeatable
Works well for websites, catalogues, and print
Brand Photography
Shot in real locations
Includes people, process, and environment
Adds personality and context
Supports storytelling and connection
Ideal for social media, marketing, and editorial use
For International Tartans, the most effective approach wasn’t choosing one over the other — it was using both together.
Photography of International Tartans Products at Marchmont House
Why Working with a Local Photographer Mattered
International Tartans also made a conscious decision to work with someone local.
There’s a real advantage to working with a photographer who has a studio nearby. It keeps travel costs down, makes it easier to plan shoots at shorter notice, and allows for a more flexible approach overall. A local photographer also understands the area — not just geographically, but culturally too. The way the light behaves along the coast, how quickly the weather can shift, and when it’s best to adapt rather than push on.
Because I’m based in Berwick-upon-Tweed, planning sessions across the studio, Eyemouth and Marchmont House didn’t require rigid schedules or extensive location scouting. We could work with the light, adjust timings, and let the day unfold naturally.
That local knowledge also helped when choosing locations. Rather than relying on generic backdrops, we selected places that genuinely suited iTartans — calm, characterful spaces with a strong sense of place.
For organisations working across Northumberland and the Scottish Borders, this kind of familiarity often makes the whole process feel easier, more relaxed, and far more collaborative.
International Tartans Branding shoot inside Marchmont House in The Scottish Borders
How I Work – Quietly, Naturally, and With You in Mind
One thing clients often tell me is how calm the whole process feels — and how little it feels like a photoshoot.
I’ve been behind the camera for nearly two decades, and I’ve learned that the best images tend to happen when people forget they’re being photographed. When there’s no pressure to perform, no stiff posing, and no sense of being “done to”.
My role is to help you feel at ease, keep an eye on the light, and gently guide things as we go — without turning it into a photoshoot with a capital P.
I won’t ask you to force a smile or hold an awkward pose. We’ll chat, move around, take our time, and let things unfold naturally. The aim is always the same: photographs that feel like you, not a version you’ve had to put on.
International Tartan Branding shoot at Marchmont House in Greenlaw, Duns
Choosing the Right Approach for Your Organisation
Most organisations don’t fit neatly into one box.
Some need the reliability of studio photography to create a clear, consistent starting point. Others lean more on brand photography to show values, process and personality. Often, the right approach sits somewhere in the middle — and it can shift over time as the organisation grows and changes.
The important thing is being clear about how your images will be used and what they need to do. When photography is planned with purpose, rather than chosen by default, it becomes far more useful and far more effective.
International Tartans Branding Photoshoot in Our Studio in Berwick-Upon-Tweed
Thinking About Booking a Photography Session?
If you’re unsure whether studio photography, brand photography, or a combination of the two would suit your organisation best, a short conversation can really help.
Every project is different. The most useful approach depends on what you need your images to do — now and as your organisation grows.
If you’d like to talk things through, you’re very welcome to book a call here
You may also find this helpful:
How to Prepare for a Branding Shoot
Which of These 7 Types of Product Photography is Best for Your Business?
Headshots or Branding Photography? A Real Example
from Greenwoods Accountants, Berwick upon Tweed
Mark McLeman, Gillian O'Dea, Gareth Greenwood from Greenwoods Accountants at Marshall Meadows.
A Fresh Take on Professional Headshots
When most people think of accountants, they picture suits, offices, and boardrooms.
But for Greenwoods Accountants, based in North Northumberland, that wouldn’t tell the full story.
Their team works closely with farmers, tradespeople, and rural businesses — alongside larger city-based firms — so they needed professional imagery that felt friendly, grounded, and approachable, without losing credibility or leaning too heavily into a rural stereotype.
Instead of defaulting to a studio backdrop, we chose to photograph their team headshots outdoors, using natural light and a consistent setting to bring warmth and authenticity into their visual identity — while keeping everything polished and professional.
Greenwoods Accountants Directors in the Scottish Borders.
Building Consistency Outdoors
Each partner and staff member was photographed individually, using the same background, lighting, and framing so the images sit seamlessly together across their website and online platforms.
Directors from Greenwoods Accountants outside their office in Berwick-Upon-Tweed.
Consistency like this is essential for professional firms, particularly those that:
Regularly welcome new team members
Share staff achievements or qualifications
Need imagery for press releases and announcements
When photographs align visually, a brand feels established, dependable, and confident.
For Greenwoods, this approach also makes future updates straightforward. When a new qualification is achieved or a team member joins, we can refresh images quickly and seamlessly, keeping everything current across platforms such as LinkedIn and press coverage.
Why Outdoor Headshots Work for Professional Services
There’s a long-held assumption that professional headshots must mean studio lighting and a blank wall. In reality, outdoor business photography can feel just as credible — and often more relatable.
For regionally rooted businesses, being photographed just outside your office subtly reinforces:
Stability
Local presence
Community connection
Accessibility
It quietly says, “We’re here. We’re established. You can find us.”
That sense of place often communicates far more than a generic backdrop ever could, particularly for businesses serving local and rural communities.
Gillian O'Dea from Greenwoods Accountants.
A Collaborative Brand Approach
Greenwoods’ headshots sit comfortably within their wider brand thanks to a close collaboration with Twist, the Newcastle-based agency managing their website and social media.
When photography, web design, and content strategy work together, the result is a consistent and approachable online presence — one that reflects who a business is and who it serves, rather than simply ticking a professional box.
Greenwoods’ Accountants Branding Shoot in Berwick-Upon-Tweed.
Headshots vs Branding Photography: What’s the Difference?
If you’re planning professional photos for your business, it can feel surprisingly confusing.
You know you need something more considered than a cropped holiday photo. You want to look professional — but not stiff. Approachable — but still credible.
And somewhere along the way, you’ll likely come across two terms:
headshot photography and branding photography.
They’re often used interchangeably.
But they are not the same thing.
If you’re searching for a brand photographer in Berwick and wondering which type of session is right for you — or whether you need both — the distinction matters
Let’s break it down properly.
Mark McLeman from Greenwoods Accountants In Berwick-Upon-Tweed.
Professional Headshots with a Brand Photographer
Headshot photography is focused, simple, and intentional.
It’s usually:
One person at a time
Framed from chest or shoulders upwards
Clean, consistent background
Even, controlled lighting
Designed for:
LinkedIn
Websites
Press releases
Professional directories
Think of a headshot as your professional introduction.
When Greenwoods needed updated imagery, their priority was clarity and consistency. As a well-established firm serving businesses across North Northumberland (and beyond), they regularly share team updates, qualifications, and press features.
They needed images that were:
Polished
Approachable
Consistent
Easy to update
So their corporate headshots were photographed outdoors, just outside their office in Berwick-upon-Tweed.
Same background. Same framing. Same natural light. Each person photographed individually.
The result was a cohesive team gallery that feels warm and professional — without looking corporate or intimidating.
What Branding Photography Adds
Branding photography takes a wider view.
It’s less about who you are in a single frame, and more about how your business feels.
A branding session might include:
Behind-the-scenes working images
Team interactions
Environmental portraits
Detail shots of tools, materials, or workspace
Story-led imagery for websites and social media
Where headshots introduce you, branding photography tells your story.
If Greenwoods had opted for a full branding session, you might have seen:
Team meetings in progress
Conversations with clients
Wider exterior shots of their office
Candid moments that show personality
Environmental business photography around Berwick
Branding imagery provides context. It answers questions your audience may not consciously ask, such as:
What does it feel like to work with you?
Do you seem established and organised?
Would I feel comfortable contacting you?
This becomes especially important if your website and social media are key drivers of enquiries.
Alison Aitchison and Laura Redfearn from Greenwoods Accountants - new qualifications, photography for PR.
Do You Need Both?
Often, yes — just not always at the same time.
Many businesses start with headshots because:
They’re launching or refreshing a website
New team members have joined
Existing images feel dated
They need press-ready photography
Branding photography often comes later, when businesses:
Refresh their marketing
Develop campaigns
Need ongoing social content
Want stronger visual storytelling
Location shoot with Greenwoods Accountants in Berwick-Upon-Tweed.
The most useful question to ask is simple:
Where will these images be used most?
If the answer is:
LinkedIn
Staff profile pages
Professional directories
Start with headshots.
If the answer is:
Homepage banners
About pages
Instagram
Marketing materials
Branding photography will likely serve you better.
A conversation with a brand photographer should help clarify that — without pressure.
When Headshots Are the Right First Step
For Greenwoods, the priority was:
Team profile pages
Press releases
LinkedIn updates
Qualification announcements
For a newer business building visibility from scratch, branding photography might come first — particularly if your website, social media, or email marketing plays a central role in attracting clients.
There’s no universal answer.
Only the right answer for where your business is now.
Gareth Greenwood from Greenwoods Accountants.
How Greenwoods have used their photos
Greenwoods use their professional brand photography across multiple channels, ensuring a consistent and recognisable visual identity throughout their business.
Their images are used on:
Their website, supporting team profile pages, service pages, and key brand touchpoints
TV screens within the office, creating a welcoming and professional environment for visiting clients
Social media platforms, particularly for team updates, announcements, and ongoing brand visibility
Press releases and professional communications, including staff qualifications and business updates
By using the same photography across both digital and in-person settings, Greenwoods reinforce trust, professionalism, and brand recognition. Clients experience the business in a consistent way whether they encounter it online, in the office, or through external media.
This is where brand photography becomes a long-term asset. When images are created with clear intent, they support marketing, communication, and brand consistency far beyond a single use — making them a practical investment rather than a one-off expense.
Greenwoods Reception area at their office in Berwick-Upon-Tweed.
Thinking About Booking a Session?
If you’re considering professional headshots or branding photography for your business, the best place to start is a simple conversation.
Every business is at a different stage. Some need clean, consistent headshots as a foundation. Others are ready for wider brand storytelling. A short call allows us to understand what you actually need now — and what will genuinely support your business — rather than pushing you into a one-size-fits-all session.
If you’d like to talk things through, you’re welcome to book a call here
There’s no pressure to decide on the spot. It’s simply an opportunity to ask questions, explore options, and make a confident, informed choice.
If you’re already leaning towards branding photography, you may also find this helpful:
What to Expect (and What to Avoid) Before Your Brand Photo Session
What to Expect (and What to Avoid) Before Your Brand Photo Session
Written By: Amber Eden - Digital Marketing & Photography Assistant, Northumberland
Lorena from The Book Loft during her brand photo session in Berwick-Upon-Tweed
A successful brand photo session doesn’t begin when the camera is switched on — it starts much earlier, with clarity, preparation and a shared understanding of what you want the images to achieve for your business.
Whether you’ve had brand photos before or this is your first time in front of a professional camera, knowing what to expect and why each step matters makes the experience, more enjoyable and far more effective.
Here’s what to expect after booking a brand shoot with us at Pictorial Photography.
1. Business Contract
It might not be the most exciting part of your journey — but it’s one of the most important.
Your contract sets the foundation for everything that follows. It outlines practical details like payment terms, usage rights, cancellation fees and other essentials so everyone knows where they stand before creative work begins.
A clear contract removes uncertainty and allows creativity to flow without distraction.
You’ll also be sent a Licence of Rights for your photography — there’s more on that below.
2. Model Releases
Please note: if your shoot involves people other than yourself (for example, team members or collaborators), we reccommend that you obtain model releases or consent forms.
If you need a model release template, we’re happy to provide one.
Andrea from Don’t Frown Aesthetics in the studio for her website branding session
3. Questionnaire — Your Vision Starts Here
Once your contract is signed, we’ll send you a questionnaire.
This isn’t a test — it’s a conversation on paper. We’ll ask things like:
Where will the photographs be used?
Which orientation (portrait or landscape) will you need more of?
Is there anything else we should know at this stage?
Do you have any questions for us?
The questionnaire helps us understand:
The type of photography you want
Your brand’s voice and personality
Where the images will be used (website, socials, ads, etc.)
Who your audience is
The location of your session
Most importantly, it gives you space to ask questions and clarify ideas before the shoot.
This stage ensures your session is planned with intention — so your brand photos genuinely support your business goals.
Alison from Coostie Illustrations based in Northumberland - on location branding session for her website and social media content.
4. Licence of Rights for Photography
After you complete the questionnaire, we send your licence agreement.
This document explains what permissions you have to use your photos and for how long — typically across your website, social media and marketing materials for 5 years, unless otherwise agreed.
Accepting this digitally avoids confusion later and gives you the confidence to use your images consistently and correctly.
5. Confirmation Email
Once planning is complete, you’ll receive a confirmation email that brings all the details together.
This usually includes:
A final summary of what we’ve planned
Session date, time and location
Reminders about what to expect next
Some of these messages are automated, so if something feels repetitive or out of place, you’re welcome to ignore it — or ask us directly if you’re unsure.
If you ever need clarification, you’re always welcome to speak to Sarah directly (click here to schedule a call).
Lorena from The Book Loft
6. Reminder Emails
We like to add an extra layer of reassurance.
To keep everything feeling calm and well‑organised, depending on your session type you may hear from us a few times in the lead‑up to your brand photos.
These friendly check‑ins are designed to:
Confirm key details
Share practical tips
Give helpful reminders
Ensure you feel fully prepared
Rebecca Wilkins from Cutting Edge Mortgages in the studio
7. Visual Inspiration — Why This Helps
It’s extremely useful if you have an idea of how you’d like your photographs to look — but this doesn’t mean being overwhelmed with choice.
Creating a simple Pinterest board or gathering a few images that speak to you — even magazine clippings — can be enough.
These reference images help us understand the style, mood and feel that resonate with your brand.
They also give us a shared visual language to work from on the day, which:
Helps the shoot flow more naturally
Saves time
Lets you get the most out of your session
Having this inspiration ensures nothing important is overlooked and helps us create images that align with what you had hoped for — while still leaving room for real, natural moments to unfold.
If you’re unsure what you like, don’t worry — we’ll guide you through what works best and help shape your ideas so your photos feel authentically you.
8. Where to Have Your Shoot, Studio or On Location?
Studio sessions and on‑location sessions both have different advantages — and the right choice depends on you.
Benefits of Studio Shoots
Full control over lighting for consistent, professional results
Warm, comfortable, and weather-proof all year round
Clean, distraction-free backgrounds
Private, professional space for outfit changes and relaxed sessions
Considerations
Less natural or “real life” feel than outdoor locations
Limited space and variety without props or set design
Can feel more posed if not styled carefully
Doesn’t showcase your workplace or surroundings
Benefits of Outdoor / On‑Location Shoots
The setting can elevate your brand
Natural surroundings add visual interest
More candid, natural moments
Can showcase your workplace
Many people feel more comfortable outside
Considerations
Weather can be unpredictable (rain, wind, etc.)
Temperature can affect comfort
You might need a space to change
Passers‑by can occasionally interrupt
There’s no right or wrong choice — only what feels best for your brand and confidence. We’ll help you choose a setting where you can relax and be yourself — because that’s when the best images are made.
Jo Thomas from Wild Revival - an outdoors brand based on the Northumberland Coast
9. Feeling Nervous? Props & Personal Touches
It’s totally normal to feel a bit nervous before your brand photos session — especially if you’re not used to being photographed.
Bringing along a few props or accessories can help your hands have something to do and make you feel more at ease. They don’t need to be elaborate — simple, meaningful items usually work best.
Examples people have brought:
Musical instruments (e.g. clarinet)
Work tools (sketchbooks, laptops, cameras, model skeleton)
Items that represent your process/business or personality
These props make the session feel more relaxed and authentic — and that always shows in the final images.
Hannah Jemima Yoga Instructor studio shoot, relaxing with props
10. Confidence Boosters — How to Feel Great for Your Session
Confidence in front of the camera often comes down to how prepared and supported you feel.
Here are some tips and ways to feel calm and confident:
Colour Analysis
Knowing which colours suit you can make choosing outfits much easier. Colours that complement your skin tone often photograph beautifully and help you feel put together.
If you’ve had a colour analysis done before, lean into it! If not, we can offer guidance on tones that tend to work well on camera.
Sarah has used StyleMeHappy for colour analysis.
Personal Shopper Support
If outfit shopping feels stressful, a personal shopper can take the pressure off.
Here are some lovely online options for those with less time: (John Lewis has a great in person personal styling service)
Style Me Happy — online styling with body colour focus
Lookiero — curated styling boxes sent to your home
Styled By Susie — friendly styling consultations
Andrea from Don’t Frown Aesthetics
Make‑Up, Nails & Hair
Feeling like the best version of you can make a huge difference.
For make‑up, you might choose to:
Apply your own natural look
Book a professional for a polished finish
Our team at Pictorial Photography collaborate with local makeup artists:
Holly Wyatt at Doll Kulture — @doll.kulture
Meghan McIntosh — @megh_.__
Jen Katryn — @jenkatryn
For nails, if your hands feature in your brand photos:
Meghan McIntosh at Megh Beauty — @megh_.__
And for hair styling support:
Tasmin Eden at The Hair Boutique — 📞 07740 983 096
Julie at Tribeca Hair — 📞 01289 308886
Whatever you choose, the goal is to feel comfortable and like yourself — not different. Try to avoid any major changes like a new hairstyle or brand-new glasses the day before your session, as it can take time to feel fully ‘you’ in something unfamiliar.
Rest, Hydration & Gentle Movement
Simple self‑care in the days before your session makes a real difference:
• A good night’s sleep
• Drinking plenty of water in the week before a shoot does wonders for the skin
• A walk in fresh air or gentle stretching before a session
All of these help you arrive feeling calm, grounded and ready.
Affirmations & Mindset
If nerves creep in, try a simple affirmation:
I am calm.
I am present.
I don’t need to perform — I just need to be.
Pair this with slow, steady breaths and let it bring you back into the moment.
Final Thought
Preparing for your brand photos session doesn’t have to feel overwhelming. When you take thoughtful steps beforehand, the whole experience becomes calmer and more empowering.
Your brand deserves images that feel like you and support your business with intention. We're here to help you every step of the way.
If you’re ready for brand photos that feel like you, we’d love to help. Click here to book a call with Sarah — we’ll guide you through every step.
Studio vs On-Location Photography for Bands: Choosing the Right Style (and Why It Matters More Than You Think)
Case Study: The Blame - Berwick-upon-Tweed
Written By: Lucas Weightman - Digital Marketing & Photography Assistant, Northumberland
The Blame on location in Hareta Sushi, Berwick upon Tweed
Why Studio vs On-Location Photography Matters for Bands
Band photography is often the first visual introduction people have to your music. Before anyone hears a track, they may see your press image, album artwork, Spotify profile, Apple music, Amazon music or a social post promoting a gig. Those images communicate who you are, what you sound like, and what kind of experience you offer.
The Blame - Spotify
That’s why the decision between studio vs on-location photography matters more than many bands realise. It isn’t simply about where photos are taken, it’s about how your band wants to be perceived. Studio photography can feel bold, graphic and intentional. On-location photography can feel atmospheric, raw and rooted.
Neither approach is better than the other. The strongest band photography comes from choosing a style that aligns with your sound, your identity, and how you want to connect.
This blog explores studio vs on-location photography for bands, using a real case study from Berwick-upon-Tweed to show how different settings can create very different results, and how both can work beautifully.
One Band, Two Shoots, Two Very Different Vibes
When we photographed The Blame, a Berwick-upon-Tweed based band, we deliberately split the work across two sessions: one in the studio and one on location around town.
The contrast between the two approaches was immediate.
The studio photographs were vibrant, minimal and controlled. Every light, shadow and reflection was intentional, creating a clean, confident look that felt polished and deliberate. With no distractions in the background, the focus stayed firmly on the band and their presence.
The on-location images, by contrast, had a looseness and character that felt completely different. That unmistakable Berwick atmosphere added depth and context - things you simply can’t recreate indoors.
Interestingly, the band preferred the studio images. I was more drawn to the outdoor ones. And that highlights an important point, there is no right or wrong choice. The best approach depends entirely on your band’s identity and how you want to be seen.
Studio Photography: Clean, Controlled, Consistent
Studio band photography offers complete control over the environment. Nothing is left to chance, from lighting and colour to background and framing.
This level of control makes studio photography a strong choice for bands who want clarity, consistency and a bold visual statement.
The Blame in our photography studio - hot pink!
Studio photography work particularly well for:
Bands creating album artwork or press imagery
Musicians wanting a strong, graphic visual identity
Projects that need consistency across campaigns and releases
Pros
Clean, distraction-free backgrounds
Precise, repeatable lighting
Easy to match images across platforms and future shoots
Cons
Less environmental storytelling
Can feel formal if styling and direction aren’t carefully considered
It’s worth noting that studio photography doesn’t have to mean neutral or safe. For The Blame, a studio shoot using a bold hot-pink background created a striking, contemporary look that suited their energy. The studio simply becomes a blank canvas and shows expression and character, depending on how it’s used.
On-Location Photography: Real, Atmospheric, Story-Driven
On-location band photography brings context into the frame. Rather than removing the environment, it allows the setting to become part of the story.
Blame Band outside a commercial unit in Berwick
For The Blame, shooting outdoors introduced texture, scale and a sense of place. The images felt more spontaneous and grounded less about perfection, more about presence. Weather, light and surroundings all played a role in shaping the final photographs.
On-location photography is ideal for:
Bands wanting a strong sense of identity or place
Artists with a raw, narrative or expressive sound
Projects where atmosphere matters as much as polish
Pros
Ambient light, texture and depth
Unique, character-filled backdrops
Strong emotional connection for the viewer
Cons
Weather and light are unpredictable (it was super cold that evening!)
More planning required for timing and logistics
While on-location photography can feel less controlled, that unpredictability is often what gives the images their edge.
Another band: Muzzle on location in Berwick
How Bands Use Studio and On-Location Photography Differently
Understanding how images will be used can help guide the choice between studio vs on-location photography.
Studio images are often well-suited to:
Press kits and media submissions
Album or single artwork
Website headers and profile images
Promotional materials needing a clean, professional look
On-location images often shine when used for:
Social media content (check out the Blame’s insta page here)
Editorial features and interviews
Gig promotion and posters
Story-led branding and visual storytelling
Many bands find that combining both approaches gives them the most flexibility. A mix of studio and on-location photography creates a varied image library that can be used across multiple platforms without feeling repetitive.
I.O.D. gig photography (on location)
So… Which Should You Choose?
If you value consistency, control and a polished finish, studio photography may be the right fit.
If you’re drawn to emotion, movement and storytelling, on-location photography can bring your visuals to life.
Or, like The Blame, you may decide to do both. Combining studio and on-location images gives you the best of both worlds: a versatile set of photos that work across social media, press features, artwork and promotion.
After the Shoot: Using Your Band Photography Properly
Once the shoot is complete, how you use your images is just as important as how they were created.
After band photoshoots, images are delivered via a private online gallery, allowing bands to easily view, download and organise their photographs for different uses.
High-Resolution vs Web-Resolution Images - What’s the Difference?
High-resolution images are designed for print use, where image quality and detail matter most. These are the files you would supply to:
Magazines and newspapers
CD and vinyl artwork
Posters and physical promotional materials
Web-resolution images are optimised for digital platforms. They load quickly and display correctly online, making them ideal for:
Music blogs and online features
Band websites
Streaming platforms such as Spotify
Social media platforms like Instagram and Facebook
Which Images Should Your Band Use - and When?
If your band is featured in a magazine or printed publication, always supply high resolution images.
For online features, websites and social media, web-resolution images are usually preferred. Using the correct version ensures your images look professional wherever they appear and prevents issues with image quality or loading speed.
Thinking About a Brand or Band Photoshoot?
The most successful band photoshoots aren’t about choosing the “right” location, they’re about choosing what aligns with your sound, personality and visual identity (brand).
Whether working in the studio or out in Northumberland’s changing light, thoughtful planning ensures your images feel considered, confident and true to you.
Explore Brand Photography Options → click here
Book a Chat with Sarah → here
How Often Should You Update Your Headshot?
A conversation with Rebecca from Socially Organised
Your headshot works harder than you probably realise. It appears on your website, LinkedIn profile, social media, email signature, press features and booking platforms - often long before anyone meets you in person. For many small business owners and professionals, it’s the first point of recognition.
I’m often asked how frequently people should be updating their headshot, so during a recent headshot session with Rebecca from Socially Organised, it felt like the perfect opportunity to explore the question properly.
Meet Rebecca from Socially Organised
Rebecca set up Socially Organised after encouragement from friends and family during COVID. Although she had already worked in social media and marketing roles locally, it was the nudge from those closest to her that pushed her to start her own business.
Her first day was equal parts exciting and daunting - contracts signed, branding ordered, social media accounts launched and messages sent to friends and family asking them to follow along. Five years on, Socially Organised now supports businesses across Northumberland and Scotland, with Rebecca placing particular value on one-to-one relationships and in-person connection.
That personal approach carries through everything she does, from social media management to her much-loved training sessions, which she’s delivered to businesses across the North and into Scotland. Being invited by Visit Berwick upon Tweed to deliver social media training to local businesses remains a proud milestone.
Why headshots matter more than ever
Rebecca works daily in a world where visibility and credibility matter. She sees first-hand how quickly people form impressions online - often in seconds - and that’s exactly why she chose to update her own headshots.
She’s already refreshed her LinkedIn profile and plans to use her images across her wider online presence. As she explained, keeping headshots current helps people form a realistic impression of who you are, builds trust, and supports consistency across platforms.
From my perspective as a photographer, I regularly see a big shift in confidence. Clients often arrive feeling unsure, especially if they’ve been using the same image for years. After an updated headshot, they tend to show up more confidently online, update profiles they’ve been avoiding, and feel more aligned with how their business has evolved.
So… how often should you update your headshot?
In most cases, I recommend updating your headshot every one to two years, or sooner if there’s been a noticeable change. In reality, most people only book a new headshot when something prompts them - a rebrand, a new look, a new role, a website refresh, or the realisation that their photo no longer feels like them.
The most common reasons clients come to me are outdated images and rebranding. Changes in hair, personal style, image quality and visual trends all play a part. Even subtle shifts can make an older photo feel disconnected from who you are now.
An outdated headshot doesn’t just date your business visually. It can also lead to mismatched branding, awkward moments where you’re not immediately recognised in person, or a sense that your online presence doesn’t quite reflect your professionalism.
The value of a timeless approach
One reason my headshots tend to last well is that I keep things clean and straightforward. I avoid heavily stylised or trend-led filters and focus instead on good light, considered composition and subtle editing.
This approach creates images that feel current without being tied to a particular moment in time. A well-lit, well-posed headshot with honest expression will always outlast something that leans too heavily into fashion or editing trends.
For business owners and professionals, this means an updated headshot continues to work for you across platforms and over time, rather than feeling quickly outdated.
Headshots as part of business maintenance
While many individuals see headshots as a one-off task, I often see a different mindset with teams and organisations. When I photograph teams, I’m regularly asked back to update images as new people join, keeping everything consistent and professional.
For sole traders and small business owners, the principle is the same - just on a longer cycle. As your business grows and evolves, your visuals should quietly keep pace.
Rebecca’s experience reflects this well. Her business has matured, her confidence has grown, and her updated headshot now mirrors where she is professionally.
A quick check for your own headshot
If you’re unsure whether your current image is still doing its job, it’s worth asking yourself whether it genuinely reflects you as you are now. Would someone recognise you immediately? Does it sit comfortably alongside your current branding? Does it support the way you want to show up online?
If the answer isn’t a confident yes, an updated headshot may be worth considering.
You can find more information about my professional headshot sessions here
You may also find it helpful to explore how headshots fit into wider brand photography
Or, if you’d like to talk it through, you can get in touch here
And if you’re genuinely unsure, I’m always happy to give honest advice - even if that means telling you your current photo is still serving you well.
Rebecca is the founder of Socially Organised, where she works closely with businesses on social media management and training. If you’d like to see more of her work or get in touch, you can find her on Instagram and LinkedIn, or visit her website.
Paid Creative Work Placement for a Local Young Person (16+)
Creative Digital Content Assistant
Pictorial Photography, Berwick-upon-Tweed
Are you someone who loves creating content and wants real, hands-on experience in photography, filmmaking, website design and marketing? Pictorial Photography is offering a paid placement for a young creative (aged 16–21, living in a TD15 Northumberland postcode) to join our studio as a Creative Digital Content Assistant.
This role gives you the chance to learn how professional content is planned, created, edited and used across websites, social media and branding projects. You’ll be working alongside an experienced photographer and filmmaker in a supportive studio environment, helping to create real work for real clients.
Your work can grow in the direction you are most interested in - whether that’s photography, video editing, social media, branding or website content. This placement is designed to help you explore your strengths and build skills for your future.
What you’ll do
Assist on photography and filming sessions (studio + occasional local shoots)
Capture behind-the-scenes content
Learn to take photographs using professional equipment
Edit images and short video clips using industry-standard tools (Apple Mac / Adobe)
Help to plan and create social media content (Instagram, Facebook, and possibly TikTok/Snapchat if it fits your style)
Support creative website projects (adding images, layout updates, organising content)
No experience required - just enthusiasm
We’re looking for someone who:
is interested in visual creativity (photos, videos, websites, social media, design)
wants to learn new skills for future work or study
is reliable and willing to try new things
is interested in a career in photography, filmmaking, digital marketing or web design
lives in Northumberland (TD15 postcode)
Details
The duration of the work placement depends on your age:
• Around 8 months (if under 18)
• Around 6 months (if aged 18–20)
• Around 5 months (if 21)
All placements are 12 hours per week over 2 flexible days, so you can fit this alongside study or other commitments.
This is a funded role paid at the correct National Minimum Wage for your age.
All equipment and software will be provided, and you’ll be supported and supervised throughout the placement.
We welcome applications from all backgrounds - enthusiasm and interest matters more than experience.
How to apply
Send us:
A CV, and
Either a short cover letter or a short video introduction (you choose!)
Simply tell us:
why you’re interested in this role
your favourite type of creative content (photo, video, design, social media, websites, etc.)
📧 Email to: sarah@pictorialphotography.co.uk
📌 Deadline for applications: 1/12/2025
Jo Wore her Beautiful New Dress, Went Barefoot in the Mud - and Taught Me Something About Showing Up
Jo at Berwick Plantation
When I photographed a lovely friend Jo for her business Wild Revival a couple of weeks back, I knew it wasn’t going to be your usual brand shoot. She happily went barefoot, carrying her foraging basket and wearing a gorgeous new orange dress she’d decided wasn’t too nice for sitting in the mud.
We walked through the plantation, along the river, and down to the Pier beach. The weather did its usual Northumberland thing - damp hair, wet hems, perfect light - then, by the time we got to the beach, actual sunburn. Jo didn’t care. She laughed, got stuck in, and somewhere between the berries and the seaweed I realised she was giving me a quiet reminder about the confidence that comes with just being yourself.
Good brand photos aren’t really about poses or polish. They’re about showing up as yourself and having fun - the version of you that laughs when the dress gets muddy and doesn’t need everything to be spotless to feel genuine.
Jo’s brand, Wild Revival, is all about connection: to nature, to ourselves, and to the world around us. She spends her days foraging, teaching, and helping people reconnect with nature and the simple joy of being outside. Photographing her wasn’t about creating something glossy; it was about capturing what was already there - a sense of belonging, curiosity, and calm.
She moves through nature like it’s home, picking up leaves and berries as we went, pointing out things I’d have walked straight past.
Jo foraging on Berwick’s New Road
There were a few moments from the shoot that were quite memorable: the way Jo happily sat down in the damp forest bed and didn’t flinch but actually laughed when she stepped in gross boggy river mud, barefoot(!); the way she thanked the trees for supporting her and for letting her touch their bark for a photo.
I realised that’s what showing up really means. It’s not about having everything perfectly planned; it’s about being present. Being visible, and being yourself even when things aren’t tidy. Choosing to be seen - in business, in photographs, in life - just as you are.
Every time I photograph someone like Jo, I’m reminded that confidence looks different on everyone. Sometimes it’s heels and lipstick; sometimes it’s muddy feet and laughter on a damp Monday morning. The setting changes, but the message doesn’t: people connect with honesty.
If your business or creative work is rooted in something real - craft, care, nature, community - your photos should feel that way too.
So, wear that beautiful dress. Step in the mud. Let your audience see you. That’s where the real magic happens.
Behind The Scenes on Jo’s Shoot
Thanks to Abigail (Jo’s sister) for taking these photos
Curious what a full brand session includes?
Visit my Branding Photography page to see examples, pricing, and what’s involved.
I created some short film clips for Jo during her brand shoot, these can be used on social media or as moving images on her new website.
Wild Revival Brand Photography
Photography by Sarah Jamieson, Pictorial Photography
Location: Berwick-upon-Tweed and the Northumberland Coast
Client Jo Thomas - Wild Revival - Check out Jo’s Substack (her new website is in progress, I can’t wait to see it!
Want authentic photos that feel like you?
Book a chat with me to start planning your brand shoot.
94% of First Impressions Online Are Visual - Here’s How We Made That Work for Brian.
94% of first impressions online are visual - which means the photos on your website matter more than you might think.
When Brian from Design & Prototype got in touch, he wanted better photos for his business. What began as a simple workshop shoot quickly grew into a full rebrand: new photography, a refreshed logo, and a modern, cohesive website that’s helping him attract the kind of projects he really wants.
Most small business owners don’t see themselves as “brands” - they see the workshop, the tools, the workbench, not the bigger picture. But that’s exactly what brand photography helps reveal.
Here’s Brian in the Design & Prototype workshop. We photographed him at work - surrounded by sawdust, metal shavings and machinery - the kind of authentic detail that stock photos never capture. Later, a few of his finished pieces came into my studio to be photographed under good light and on a plain grey and white background - even large handcrafted items can work beautifully in a controlled product photography setup.
Once the brand and product photography library was in place, we refreshed his logo and website - keeping the clean, modernist feel he liked, but stripping back the bold primary colours that had made the old design tricky to use. The new site uses yellow and grey tones, echoing his machinery and giving a nod to industrial design - modern, timeless, and easy to navigate.
After the website launch, Brian decided to add a Velocette motor repair section. Everything was already in place visually, and the consistency of his new branding helped attract steady work in this niche area.
Strong brand imagery doesn’t just look good - it builds trust. For small businesses, it shows the person behind the craft, the hands that make, the pride that keeps a workshop running. Whether you’re a joiner, florist, or designer, photography helps your audience connect the dots between what you do and who you are.
If you’re curious about what brand photography could do for your own business, check out my Brand Photography page. You don’t need a studio-ready brand - just a good story, and I’ll help you show it.
Why Faces (and Hands!) Might Be the Missing Piece in Your Product Photography
When it comes to building a strong brand, product photography is key – but it’s not just about the products. It’s also about the people behind them and the story you tell. Visual content is one of the most powerful tools to convey who you are as a business - 93% of consumers rank visual appearance as a key factor in purchase decisions, and content with relevant images gets 94% more views than content without. In other words, great product photography can make or break your brand’s first impression. More importantly, your ideal customers want to connect with the faces and values behind the brand, not just the products. That’s why showcasing the people and personality behind your products is such a game-changer for brand identity.
Why Visual Content Is Vital for Your Brand
We’re bombarded with images on social media and online shops, so to stand out you need high-quality, story-driven visuals. People remember up to 65% of visual content after three days (versus only about 10% of written content), so strong imagery not only grabs attention but also sticks with your audience. For a small business, scroll-stopping photos can give you an edge over larger competitors.
On social media, posts with images - especially those featuring people get much higher engagement. Instagram photos with human faces receive 38% more likes than those without (according to a Georgia Tech study). This shows customers crave authenticity and human connection, not just pretty product shots. Visuals that include real people help build trust and familiarity; in fact, 86% of consumers say authenticity is important when deciding which brands to support (Stackla survey). By featuring real people (whether your team, customers, or yourself) or even just parts of people (like hands if you’re shy!) in your product photos, you create that authenticity and turn standard catalog shots into a narrative about your brand.
Putting People Behind the Products
One way to bring authenticity into product photography is by literally putting the person into the picture. For example, I recently did a shoot with Liberty, the founder of Lib&Jax, a local brand that handcrafts colorful bags and cases from reclaimed (deadstock) fabrics. Lib&Jax isn’t just selling bags – they’re selling a story, and showcasing the people behind the products helps bring that story to life.
During the shoot, we made sure to capture not only the products, but Liberty herself. We got vibrant shots of her interacting with the bags - holding them, using them, even sitting happily in a pile of them against a bright pink backdrop. Featuring the founder put a face to the brand name. Liberty’s style and energy shine through these images, helping customers connect with her business on a deeper level. In short, it turns Lib&Jax from just a brand into a relatable human story.
Some of the best shots were the spontaneous, playful ones - like Liberty tossing bags in the air. Those photos are eye-catching and full of life, perfectly reflecting the brand’s bold vibe. In one image, a flying bag even covered her face, adding a fun mystery that draws attention straight to the product. These kinds of shots do double duty: they highlight the product while keeping viewers engaged and curious about the person behind it.
We also captured some behind-the-scenes content. Liberty captures a few quick video clips (just on her phone) to highlight Pictorial Photography on the visit Berwick website (part of a different project) and I gave Liberty some fun peeks of the shoot from my camera to share on Instagram and TikTok. Audiences love seeing how the magic happens, a candid video of makers at work makes people feel like insiders. And with video content now over 80% of all web traffic, those clips are gold for social media. This kind of content isn’t just filler; it brings your brand’s personality to life in ways that polished product photos alone can’t.
Liberty from Lib&Jax brought ALL the colour and chaos to the studio for this shoot. Handmade, one-of-a-kind, and made from deadstock fabric – each bag has it’s own story. 💖 #BTS #ProductPhotography #LibAndJax
Planning a Purposeful (and Fun) Photoshoot
All those creative, people-centric shots might look spontaneous, but they actually take a lot of planning. Before the Lib&Jax session, Liberty put together a Pinterest mood board to nail down the creative vision. Having that visual guide (and some notes from our chats) put us on the same page from the start, with no "what next?" moments during the shoot. The mood board ensured we captured all the must-have shots (like clear product photos on a bright background) and had fun ideas ready that fit the brand’s vibe (like those flying bags!).
Planning ahead also meant thinking about how we’d use the photos. For Lib&Jax, we needed a mix of images for different purposes:
Product shots for the online store (clean, crisp photos of the bags on a railing - also to use on a continuous scroll for an instagram carousel)
Lifestyle shots of Liberty using the bags (to show their scale in real-life use)
Behind-the-scenes content to share on social media (for authenticity and engagement)
Defining these goals early meant we captured a bit of everything during the shoot. It also helped us prep the studio - we set up multiple vibrant backdrops (pink, orange, navy, green and white) to make the colorful bags pop, and arranged professional lighting for a polished look. With solid planning and a spark of creativity, the shoot was both productive and a lot of fun.
Just as important as planning is creating a positive, collaborative atmosphere. We kicked off the shoot by bouncing around ideas and jotting down the best ones to try first. It's great to experiment with wacky concepts (after the ‘key shots’ are in the bag of course) — it leads to unique photos and keeps the session fun. When everyone’s enjoying themselves, that energy shines through in the pictures. Those genuine laughs, unposed moments, and off-the-cuff ideas are exactly how you capture the authenticity we talked about earlier.
Showcasing Your Brand’s Values (Sustainability and Beyond)
Another facet of brand identity we highlighted was Lib&Jax’s commitment to sustainability. Consumers care about what a brand stands for — 66% say they’re willing to pay more to support brands with sustainable practices (Nielsen survey), and that percentage is even higher for millennials. If your brand has a mission or core value like this, think about how we can show it visually - or get in touch for a chat - I love sharing ideas.
For Lib&Jax, that meant drawing attention to the story behind the bags. We made sure to feature the unique upcycled fabrics in the photos, subtly communicating the brand’s eco-friendly ethos. At the same time, we kept the images vibrant and stylish to prove that sustainable can be chic. And of course, we spotlighted Liberty as the passionate founder behind it all. Product, Person, and Purpose - when those three align, that’s branding magic!
From Photoshoot to Brand Narrative
With the right planning and personal touch, product photos become more than a catalog of items - they turn into part of your brand narrative. Each image from the Lib&Jax shoot tells a piece of their story, whether it’s Liberty joyfully tossing bags in the air or carefully arranging a display. This portfolio of usable visuals give the audience a glimpse into her world and invite them to connect on a deeper level.
People connect with people, not just things. Showing the human side of your business builds trust and like-ability. The next time someone sees a Lib&Jax bag at a market or online, they’ll remember the fun, creative spirit from those photos and feel like they know the brand. That kind of familiarity is marketing gold - it can turn casual viewers into loyal followers and then customers.
Ready to Elevate Your Brand Identity?
I’d love to hear your thoughts. Which of Liberty’s colorful bags caught your eye? Do you think these images deliver on style? Share in the comments!
If you’re a business owner looking to bring your own brand’s story to life with vibrant, people-focused product photography, let’s talk. As a specialist in product photography in Berwick, I’m passionate about helping creative brands like yours shine. Get in touch with me at Pictorial Photography to start planning a shoot that showcases your products, along with the people and values behind them. Let’s elevate your brand identity, one photo at a time. If you aren’t quite ready to chat yet - take a look at our product photography page for loads more info.
Oh, and if you loved Liberty’s bags, you can snag one from Lib&Jax. She’ll also have a stall at the Berwick Food Festival this summer - so if you’re in town, be sure to pop by and support some awesome local makers!
Commercial Business Photography Pricing Made Simple: Packages, Rates & What's Included
Studio Product Photography for Jarvis Pickle Pies
Running a business means making smart investments, and professional photography is one of the best ones you can make. Whether it’s product shots that get people to click “buy,” headshots that build trust, or branding images that tell your story and show off your location, understanding commercial photography rates shouldn’t be a hassle.
That’s why I’ve put together this easy-to-follow guide to my business photography rates. No hidden fees, no surprises - just clear, transparent pricing so you can plan your budget with confidence.
Photography Packages at a Glance
Branding Photography Package - £485
Let’s show the world exactly what your business is all about. Whether you're building trust with your audience or showing off your work environment (don’t worry if you don’t have a pretty office - we can work around that!), these sessions are tailored to tell your brand’s story. Ideal for social media content, websites, and any marketing material that needs that personal touch.
What’s Included?
Duration: 2.5 hours of comprehensive imagery tailored to your business and brand
Images: 25 ready-to-use professional digital images
Includes: 1:1 consultation, expert creative direction, varied shot styles
Additional images: £25 each
Perfect for: Social media content, website imagery, marketing materials
Branding images for The Business of Selling Flowers - learn more about this brand shoot on my blog
Perfect for giving your online presence a polished touch. Whether it’s for LinkedIn, your website, or marketing materials, I’ll help you look confident, approachable, and professional in every shot. Quick, easy, and effective.
What’s Included?
Duration: 30 minutes (studio or local Berwick upon Tweed location)
Images: 5 ready-to-use professional digital images
Includes: Multiple backgrounds, outfit changes, expert posing direction
Additional images: £25 each
Group rate: £50 per additional staff member (4+ people)
RNLI Seahouses - PR
Products, Events & Other Commercial Photography Sessions:
Whether you’re looking to showcase your products, cover an event, or capture stunning property shots, I’m here to help make your business shine. From detailed product photography that makes your items irresistible, to versatile commercial sessions tailored to your specific needs, we’ll work together to create images that tell your story and highlight what makes your business unique. Unsure about which shoot is right for you? Let’s chat and figure it out together!
First hour: £250
Additional hours: £175 each
What’s Included?: Studio lighting if required, backdrops, props, around 30 images per hour of photography, custom editing/processing.
Types of photography covered by the hourly commercial rate include: Event photography, Property photography, Performance photography, Social media content creation, PR photography, Website photography, Product photography.
What's Always Included (No Extra Charge)
Every commercial photography session includes:
Professional studio lighting, backdrops and props as required
Custom hands-on processing of all final images
High and web resolution files for maximum flexibility
Secure online gallery for intuitive use and easy downloading
Commercial licence to reproduce for business use
Expert posing and creative direction
Use of our professional photography studio or travel within 10 miles of Berwick upon Tweed
Claimable as business expense
Brand Photography for Katie Chappell Illustration
Travel Fees Made Simple
Room interior at Rob Roy Boutique Hotel, Tweedmouth - Property Photography
Local coverage: Within 10 miles of Berwick upon Tweed - no charge
Extended car travel: £0.45 per mile + £75 per hour travel time
Flights/trains/accommodation: At cost (agreed in advance)
Frequently Asked Questions
-
This depends entirely on your needs. Headshots take just 30 minutes, while branding sessions are 2.5 hours.
For custom commercial work, I'm happy to discuss your requirements and provide an accurate time estimate - just book a call or email me.
-
Of course! You're more than welcome to hang out and get involved. The more, the merrier and it helps us make sure everything’s just how you imagined. (Bonus points for sneaky behind-the-scenes shots! Just don’t forget to tag us on Instagram @pictorial_photoraphy)
-
All images go through custom hands-on processing to ensure professional quality. You'll receive your final images via a secure online gallery around two weeks after your session - please let us know in advance if you are on a tight deadline.
-
No problem! Additional headshot and business branding digital images are available for £25 each. You can decide which extra images you'd like after seeing the full selection.
-
Event photography
Product photography
Property photography
Performance photography
Social media content creation
PR photography
Website photography
Corporate headshots
Branding photography
And any other business photography needs you might have
-
Every photo I deliver includes basic editing, such as colour correction, distraction removal (like fire exit signs, scratches, or unsightly bins - only when necessary), and a touch of magic to make the image really pop. However, if you require specific or extensive retouching, such as detailed skin edits, background changes, or custom adjustments, we can definitely discuss that! I'll provide a quote based on the time and complexity of the work to ensure your vision comes to life exactly how you want it.
Event coverage at The Maltings of Len Pennie’s discussion on her debut collection, ‘Poyums’ for Berwick Literary Festival
What Clients Say
Helen, Katie and Tania - Course Creators, The Good Ship Illustration - Brand Photography
"Sarah took our branding photos and WE LOVE THEM! Thank you Sarah! We had a brilliant afternoon, Sarah knew all of the best spots to get good photos, and we didn't even feel like we were having our pictures taken. ♥️ Thank you!" - Katie, Tania and Helen - The Good Ship Illustration
Emily Cropton, Artist - Performance Photography
"Had a great experience working with Sarah who kindly fitted me in last minute. Super professional and thoughtful and very happy with the photographs." - Emily Cropton, Artist
Alison Edwards, Coostie Design and Illustration - Branding Photography
"I knew that when I was ready to have some brand photography done for my small creative business, that it would be Sarah that I'd go to - I'd already seen a wealth of positive testimonials and her website has some great case studies that helped me to understand what the end result could look like. From the discovery session to the shoot, Sarah was an amazing coach and I've now got some lovely brand photos that have really elevated my digital presence." - Alison Edwards, Coostie Design and Illustration
Louise Marsden - Repaz7 - PR Photography
“The picture ended up being on the front page, she then also shared images to her own instagram business page and helped make the story great PR for our business. Without Sarah and her expertise this may never have happened.” - Leo and Louise, Repaz7
Planning Your Photography Investment
Verdant Leisure Conference Event Photography
Professional photography is an investment that pays dividends through:
Increased customer trust and credibility
Higher conversion rates on your website
Stronger social media engagement
More professional marketing materials
Enhanced brand perception
Not sure what type of photography your business needs?
Website and social media photography for Hutton Stone
These resources will help:
5 Things to Consider Before Hiring a Commercial Photographer - Essential planning guide
Which of These 7 Types of Product Photography is Best for Your Business? - Choose the right approach
How to Write a Brilliant Commercial Photography Brief - Get better results
BTS shot of crafter Ruth Devlin of DevlinJones Firebellows - PR/Magazine Photography
Ready to Invest in Professional Photography?
Whether you need quick headshots for your team, scroll stopping product photos or a comprehensive branding session for your new company, I'm here to help you and your business look its absolute best.
Let’s chat about how we can bring your business vision to life - book a call today!
Professional photography that fits your budget and exceeds your expectations. Serving Berwick upon Tweed, Northumberland, and the Scottish Borders.
Ready to get started? get in touch today.
A Cherished Day at Coldingham Sands: A very trendy Granny and an Overcast Adventure!
Imagine this: a fashionable granny, her adorable granddaughter, and an adorable dog, coming together for a memorable day of shenanigans and giggles at Coldingham Sands. Oh, did I mention the charming overcast weather that added an extra touch of magic to our photos?
From the moment these guys set foot on the sandy shore, the air was filled with laughter and excitement. Together, we created unforgettable moments running around on the sand and indulging in ‘contraband’ Wham bars! Because what's a beach outing without a little sweet mischief, right?
The overcast weather added beautiful soft lighting which enhanced the vibrant colors of their outfits, and gentle shadows added depth and nostalgia to the photographs.
As a family photographer, it's moments like these that remind me of the magic my lens can capture. Witnessing the joy, love, and laughter between this trendy granny, her granddaughter, and thier lovable joog warms my heart. Coldingham Sands provided the perfect backdrop for the day.
Hazel chose a portfolio box of high-quality prints, a keepsake to proudly display at home. The pride and joy in her eyes was unmistakable as she imagined reliving those wonderful moments with a glance at those stunning prints on her walls.
You might imagine a bright, sunny day is ideal for outdoor photography, but that's not actually true. The intense light makes highlights too bright and shadows incredibly deep. Overcast days when the sun's light is diffused by the clouds can be much better, the entire sky turns into a big, soft light source which means that you get much more even lighting that casts softer shadows. It's much more forgiving to photograph with and is especially flattering for portraits.
What I Learned: Shooting Videography as a Wedding Guest in Umbria, Italy
I have an exciting story to share with you today, one that involves personal growth, unexpected discoveries, and a dash of humor. Over the past year, I've embarked on a bit of a learning adventure, investing both my time and resources into mastering the art of videography using my professional cameras. Why, you ask? Well, let me take you on a journey through my motivation and the experiences I've had so far.
It all began when some of my commercial photography clients started requesting short video clips for their social media and websites, I felt I needed to be able to capture these simple requests for them but being the perfectionist I am, I had to really master it before helping them.
When I started some of the training it made me think about working alongside videographers at weddings. They tend to pop up in the most heartfelt moments, brandishing massive cameras and making me worry about inadvertently intruding on their shots (which can’t be photoshopped). That's when I had an idea—I could offer something truly unique and valuable to couples by providing a hybrid photography and video service.
Picture this: couples receive the same exceptional photography service they've come to expect from me, but with an added twist. During the moments that usually constitute downtime, I would discreetly capture video snippets, allowing me to craft a professionally shot "highlights video" that encapsulates the essence of their special day. How awesome is that?
You see, back in 2015 when I tied the knot myself, my partner and I hired both a photographer and a videographer. While the videographer's work was excellent, he appeared in a lot of our photos and I must admit that we've only watched our wedding video a couple of times. Why, you ask? Well, let's just say it contained the ENTIRE ceremony (which was in Greek), speeches, and even people chowing down on their meals. It was a feast for the eyes, but perhaps a little too literal! A few minutes would have been more than enough and plenty to satisfy our grandparents who couldn’t make the wedding abroad.
My training journey so far has blended online and in-person courses, lots of reading and hands-on practice. I knew I had a family wedding to attend in Italy, not as a professional photographer, but as a guest! However, I couldn't resist the opportunity to test my skills. With only hand luggage I had to travel light so, just one camera, a single lens, and a trusty waterproof GoPro, I set out to create a short practice "highlight video" as a guest. Don't worry, I made sure to stay well out of the photographers' way!
Guess what? I ended up shooting not one, but TWO different short films. One was in a vertical format, perfect for mobile phones and social media sharing, while the other was in landscape format, longer in duration and ideal for the couple's afterparty celebration and for showcasing on TV screens to their proud grandparents. To add more zest to the films, I even recorded the heartfelt speeches, a touching reading, and the soulful live music on my trusty iPhone. As you can see, I also took a few photos (couldn’t resist!). My Dad took this one of me and Aaron.
Now, let me tell you some lessons I learned during this short and hot filmmaking adventure:
The GoPro turned out to be a bit of a letdown, providing footage that fell short of my expectations. Lesson learned: Stick to the reliable gear you know and love.
Primer is super important for make up in the heat, bonus points for one that contains SPF!
Surprisingly, the iPhone recordings exceeded my expectations, capturing voices with remarkable clarity. If I ever find myself in a pinch without my fancy recording equipment, I'd happily rely on my trusty smartphone again.
Stationary objects are simply not as captivating on film as they are in photographs.
Balancing the roles of guest and aspiring videographer was quite the challenge. I found myself torn between capturing the perfect angle and wholeheartedly immersing myself in the atmosphere. Nonetheless, I managed to enjoy every moment, even if it meant occasionally slipping into "work mode."
The hassle of coordinating sparklers for a few shots was absolutely worth it! The resulting footage added a touch of magic and excitement to the final video, making it an unforgettable moment for the couple.
Now, without further ado, I present to you my very first attempt at a wedding highlights video. I hope you're ready to experience the magic of an Italian wedding.
Click here to watch the 6-minute landscape version (on a computer or TV). (this one is my favorite of the two)
or
Click here to watch the 3 minute horizontal version (on a phone)
As I reflect on my new journey of learning and growth, I am filled with gratitude for the opportunity to record Hannah and Conor’s wedding and to the trainers who have given some brilliant advice, inspiration and guidance. It's amazing how investing in new skills can open doors and allow us to offer something unique to our clients.
If you're planning your own wedding or know someone who is, I encourage you to consider the possibilities of hybrid photography and videography. By seamlessly blending both art forms, couples can relive their special day through stunning visuals and heartfelt moments captured in motion.
Sarah x
P.S. The beautiful venue Hannah and Conor chose is a large stone farmhouse in the hills of beautiful Umbria, Italy, around 40 minutes from Perugia. It’s called ‘I Casali di Colle San Paulo Fontanelle’. Here are the details if you are looking for an international elopement or destination family wedding. www.collesanpaolo.it or check it out on instagram here: https://www.instagram.com/icasalidicollesanpaolo/
Check out my wedding services page if you are looking for hybrid photography and video, here is the link: Pictorial Photography Wedding Photography